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MacQueen’s Quinterly: Knock-your-socks-off Art and Literature
| Updated: | 22 Sept. 2024 |
Index of Contributors
| -A- | [Back to Alpha Menu] | |
| Name of Author | Title of Work + [genre] | Issue |
| L. Ward Abel | Suited [poem] | 21 |
| Fran Abrams | It’s Pi Every Time [poem] | 11 |
| Nathan Agostino | [Lightning Giant] [photograph] | 8 |
| Serena Agusto-Cox | Two Poems After Gustave Caillebotte: “Practice” and “Apprentice” [poems, ekphrastic] | 6 |
| Pauline Aitken | Dendron [visual art]; collaboration, with ekphrastic poem by Christine Stewart-Nuñez | 7 |
| Dave Alcock | Believer [microfiction] | 16 |
| Dave Alcock | Congeners [microfiction] | 13 |
| Dave Alcock | Equanimity [microfiction] | 15 |
| Dave Alcock | Fall [microfiction] | 12 |
| Dave Alcock | For the Errand That Brings Us Together [microfiction] | 13 |
| Dave Alcock | Foxes [microfiction] | 22 |
| Dave Alcock | Gaps [microfiction] | 12 |
| Dave Alcock | Hand [microfiction] | 16 |
| Dave Alcock | Limbo [microfiction] | 13 |
| Dave Alcock | Lorikeets [prose poem] | 18 |
| Dave Alcock | Out [microfiction] | 14 |
| Dave Alcock | Overlooked [microfiction] | 22 |
| Dave Alcock | Seed [microfiction] | 12 |
| Dave Alcock | Sycorax [microfiction] | 20 |
| Dave Alcock | Wishing Well [microfiction] | 18 |
| Farah Ali | Burn [haibun] | 19 |
| Farah Ali | Fangs [haibun] | 19 |
| Farah Ali | Gaslight [micro-poem: split sequence] | 22 |
| Farah Ali | Van Gogh’s The Potato Eaters, 1885 [poem, ekphrastic: haiku sequence] | 22 |
| Stephen A. Allen | Chicago Street Scene [haibun] | 18 |
| Stephen A. Allen | Curated Playlist [haibun] | 18 |
| Linda Allison | Anatomy of an Inspired Chef [prose poem] | 11 |
| Janice Alper | Two Bucks of Happiness [micro-poem] | 18 |
| Cynthia Anderson | Afterlife [poem: cherita sequence] | 21 |
| Cynthia Anderson | Alive [poem] | 22 |
| Cynthia Anderson | American Beauty [cheribun] | 13 |
| Cynthia Anderson | Animals [poem, ekphrastic] | 13 |
| Cynthia Anderson | Badlands [micro-poem: split sequence] | 22 |
| Cynthia Anderson | Born Again [poem: cherita sequence] | 2 |
| Cynthia Anderson | Cinema Perdu [prose poem] | 15 |
| Cynthia Anderson | Climate Incarnate [haibun] | 19 |
| Cynthia Anderson | Cow Swatting Flies [poem, ekphrastic] | 13 |
| Cynthia Anderson | Crossing Over [poem: cherita sequence] | 3 |
| Cynthia Anderson | The Deaths of Others [prose poem] | 15 |
| Cynthia Anderson | Deluge [micro-poem, split sequence] | 24 |
| Cynthia Anderson | Doctor, My Eyes [haibun] | 11 |
| Cynthia Anderson | Et Tu, Brute? [haibun] | 12 |
| Cynthia Anderson | Facing the Music [haibun] | 19 |
| Cynthia Anderson | False Spring [micro-poem: split sequence] | 10 |
| Cynthia Anderson | The Forest Town at the Foot of the Mountains [prose poem] | 2 |
| Cynthia Anderson | Formerly Known as Ion [haibun story] | 7 |
| Cynthia Anderson | Four Micro-Poems [cherita] | 12 |
| Cynthia Anderson | Garbage Out [haibun] | 11 |
| Cynthia Anderson | “I’m a Bill you never have to pay” [haibun] | 15 |
| Cynthia Anderson | Indwelling [haibun] | 18 |
| Cynthia Anderson | Inheritance [poem] | 23 |
| Cynthia Anderson | Interspecies [haibun story] | 23 |
| Cynthia Anderson | La Buena Vida [haibun] | 15 |
| Cynthia Anderson | Merry and Bright [micro-poem: tanka sequence] | 10X |
| Cynthia Anderson | Not Quite [poem] | 24 |
| Cynthia Anderson | Now or Never [micro-poem: split sequence] | 11 |
| Cynthia Anderson | On His Blindness [haibun] | 19 |
| Cynthia Anderson | Out the Window [micro-poem: haiku sequence] | 23 |
| Cynthia Anderson | San Francisco, April 14, 1905 [poem] | 21 |
| Cynthia Anderson | The Sculptor and His Muse, by Rodin [poem, ekphrastic] | 9 |
| Cynthia Anderson | Self-Paced [micro-poem: split sequence] | 10 |
| Cynthia Anderson | Ships of the Desert [haibun] | 24 |
| Cynthia Anderson | Simpatico [micro-poem: split sequence] | 10 |
| Cynthia Anderson | So Many Days [cheribun] | 24 |
| Cynthia Anderson | Storm Tending [haibun] | 19 |
| Cynthia Anderson | Summer of Love [cheribun] | 13 |
| Cynthia Anderson | Syllabus [micro-poem: split sequence] | 22 |
| Cynthia Anderson | Territory [haibun] | 14 |
| Cynthia Anderson | Three Micro-Poems [cherita and haiku] | 4 |
| Cynthia Anderson | Three Micro-Poems [cherita and senryu] | 5 |
| Cynthia Anderson | Three Micro-Poems [haiku] | 17 |
| Cynthia Anderson | Three Senryu [micro-poems] | 7 |
| Cynthia Anderson | Town Center Mall, 7 a.m. [haibun] | 23 |
| Cynthia Anderson | Trail Chains [poem] | 7 |
| Cynthia Anderson | Turtles All the Way Down [micro-poem, split sequence] | 24 |
| Cynthia Anderson | Two Cherita [micro-poems] | 9 |
| Cynthia Anderson | Two Cherita [micro-poems] | 14 |
| Cynthia Anderson | What’s Left Behind [cheribun] | 25 |
| Cynthia Anderson | Yin/Yang [micro-poem: split sequence] | 11 |
| Doug Anderson | Forgive Me, It’s the Vaccine Talking [poem] | 7 |
| Doug Anderson | The Numbers [haibun] | 25 |
| Doug Anderson | The Photographer [haibun] | 24 |
| Debbi Antebi | Rules [haibun] | 9 |
| Anne Anthony | “Lived Happily Ever After” Currently Out of Stock; Please Select a Different Ending [microfiction, humor] | 24 |
| Anne Anthony | Picking Sides: Tulsa, 1921 [microfiction] | 24 |
| David Appelbaum | The Phone Call [poem] | 6 |
| M. J. Arcangelini | One Highway Too Far [poem] | 21 |
| Nadia Arioli | Afterglow [poem] | 24 |
| Glen Armstrong | Two Poems: “Year of the Sea Monkey CVII” and “Year of the Sea Monkey CVIII” | 8 |
| Sandra Arnold | The end of the rainbow [flash fiction] | 14 |
| Mikki Aronoff | Cinder [microfiction, ekphrastic] | 10 |
| Mikki Aronoff | Dear Mikki, “Erasure Rejection Letters” [poems, found] | 21 |
| Mikki Aronoff | Fairest of All [microfiction, ekphrastic] | 22 |
| Mikki Aronoff | Fossils [microfiction] | 12 |
| Mikki Aronoff | Fugue, 1956-1959 [microfiction, ekphrastic] | 13 |
| Mikki Aronoff | Heist [flash fiction] | 18 |
| Mikki Aronoff | In Praise of Leavening [poem] | 23 |
| Mikki Aronoff | La Primavera [microfiction, ekphrastic] | 22 |
| Mikki Aronoff | Old Chestnuts [microfiction] | 12 |
| Mikki Aronoff | Promises [microfiction] | 13 |
| Mikki Aronoff | Ready or Not [prose poem, ekphrastic] | 13 |
| Mikki Aronoff | Red [microfiction, ekphrastic] | 22 |
| Mikki Aronoff | The Skin of Our Teeth [microfiction] | 23 |
| Mikki Aronoff | Split Apart [microfiction, ekphrastic] | 12 |
| Mikki Aronoff | Spurt [microfiction] | 12 |
| Mikki Aronoff | Swimming With the Blind Fish [microfiction] | 22 |
| Mikki Aronoff | We Deer-Catch [microfiction, ekphrastic] | 23 |
| Mikki Aronoff | You Don’t Mean to Miss Your Appointment [microfiction] | 23 |
| Madeline Artenberg | Crak, Bam [poem] | 10 |
| Madeline Artenberg | Offspring [poem] | 11 |
| Madeline Artenberg | Rhinestones and Memories [poem] | 10 |
| Madeline Artenberg | Soft Hand [poem] | 11 |
| Cassandra Atherton | Asphyxia [prose poem] | 3 |
| Cassandra Atherton | Japanese Bath [prose poem] | 3 |
| Cassandra Atherton & Paul Hetherington | Cabaret (1972 film) [sequence of five prose poems, ekphrastic; and poets’ commentary] | 13 |
| Sharon Auberle | Musca Domestica [haibun] | 7 |
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