Issue 4: | July 2020 |
Poetry: | 152 words [R] 125 words [R] |
Mind to Molecule
The problem is we can’t get over ourselves We’re like peacocks who have somehow become convinced that nothing is more spectacular out there We’re the ultimate and who can argue They have pretty feathers We have Monet They have the lark We have Chopin They have butterflies and bottle-nosed dolphins sunflowers and sequoias We have samurai and Shakespeare rockets and The Rockettes Fundamentally we lack perspective There is so much to humble us beyond the human enterprise thinking of rainbows and crystal caves stars ten thousand times as bright as the Sun nebula the color of opals the size of the Milky Way What gets lost is the truly spectacular like life after rain love after hurt and the enigma of entanglement that we’re neither us nor other but one that mind to molecule feather to feather everything belongs to everything else to the awe of the ordinary
—Published previously in Crosswinds Poetry Journal (2016); appears here with author’s permission
Feast of Impulse
A day can turn on one moment of sweetness— a first peach in May, a dog barking at wind, a child scolding a doll for not washing its hands at tea. On a certain glen with goldback ferns and Queen Anne’s lace, where aromas of anise arise in intelligent wakefulness to tug at your sleeve, urging you to pay attention to the stirring, to gaze into an elsewhere that whispers “I have something to show you, something to show you.” And so you leave behind the heavy air, the bad roads, guess your way down slippery slopes and grab hold of the sky trusting only your call to be there for the feast of impulse, the enormity of life changing its mind.
—Published previously in the poet’s collection Across My Silence and appears here with his permission
is the author of the poetry collection Across My Silence (World Audience, Inc., 2007). His poetry, flash fiction, essays, and mini-plays have appeared in more than 70 publications, including bosque, Bryant Literary Review, Connecticut River Review, North American Review, Rattle, Santa Fe Literary Review, Slab, Slant, The Briar Cliff Review, The MacGuffin, The Main Street Rag, and The South Dakota Review.
Recent awards include Grand Prize Winner in Crosswinds Poetry Journal’s 2016 poetry contest, and the poem was published in their Spring 2017 issue. Cooper’s poetry has also been selected for Ted Kooser’s “American Life in Poetry” and Tweetspeak Poetry’s “Every Day Poems,” and his work has been nominated four times for a Pushcart Prize. One of his micro-fictions (Options, republished in Issue 3 of KYSO Flash) was selected in April 2015 as winner of the annual String-of-10 Contest, sponsored by Flash Fiction Chronicles. His play That Perfect Moment (with co-writer Charles Bartlett) was a headliner at the NOHO Arts Center in North Hollywood and The Little Victory in the 2009-10 seasons. His essay It’s Time to Rethink Recycling appears in Earth Island Journal (18 June 2020).
Cooper is a Contributing Editor here at MacQ and served as Co-editor of KYSO Flash from 2016 thru 2019 (Issues 6–12).
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