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MacQueen’s Quinterly: Knock-your-socks-off Art and Literature
Issue 28: April 2025
By Dan Olfe

Five Art Quilts

 

Terra Incognita: 2008 Art Quilt © by Dan Olfe
Terra Incognita (2008) copyrighted © by Dan Olfe. All rights reserved.

 

 

San Diego Library #1: 2015 Art Quilt © by Dan Olfe
San Diego Library #1 (2015) copyrighted © by Dan Olfe. All rights reserved.

 

 

The Broad Museum of Art: 2018 Art Quilt © by Dan Olfe
The Broad Museum of Art (2018) copyrighted © by Dan Olfe. All rights reserved.

 

 

Wave Topography: 2003 Art Quilt © by Dan Olfe
Wave Topography (2003) copyrighted © by Dan Olfe. All rights reserved.

 

 

Hillcrest Cinemas: 2014 Art Quilt © by Dan Olfe
Hillcrest Cinemas (2014) copyrighted © by Dan Olfe. All rights reserved.

 

About the Artist Dan Olfe (born 1935)
Compiled by Clare MacQueen

“My interests in art are simple,“ says the California-based, autodidactic artist. “I enjoy the beauty of lines, shapes, and colors.”

Although he points out that art was an important part of his early life, Olfe studied engineering and physics in college, earning a Bachelor of Science degree in Engineering from Princeton University and a doctorate from California Institute of Technology (the latter in 1960).

“I started creating art quilts in 1997, after a 30-year career as an engineering professor (primarily at the University of California, San Diego). I selected quilts for my art medium because, in our home, my wife [Julie] and I have always enjoyed fiber art for its warmth and color.”

Photograph of Dan Olfe
Dan Olfe, Alice Art Gallery Princeton (circa 2023)

“Because of my technical background, it was natural for me to create my designs on a computer. Although my early designs were created using a variety of 2-D and 3-D software programs, in recent years I have primarily used Photoshop to modify and layer my photos and abstract images. After my designs are digitally printed on cloth, I use a sewing machine to create a quilted wall hanging.”


Evolution of Design:

“I started in 1997 by making pieced quilts (1997–1999). For these quilts, I created a computer design to use as a guide for cutting and placing the fabric.

“Later, for more detailed designs, I hand-painted each quilt top on whole cloth. Again, I created my designs on a computer and printed them on paper as a guide. (See painted quilts [2000–2003] at my website.)

“The next shift in my design process came when it became possible to print computer designs directly on fabric. My quilts then featured rendered images of 3D designs (98 quilts with 3D designs [2003–2010]).

“For a later series I created abstract designs by layering textures in Photoshop. I downloaded some textures from the internet and created others with my camera (37 Texture Experiments [2011-2017]).

“For my next designs, I collaged or layered my own photos (2014–2018).

“More recently, my designs consisted of color squares and rectangles (2018–2020), with each design featuring the colors of a well-known artist. To obtain the colors I used single-pixel wide scans of photos of the artist’s work.

“I am using 3D software for my current designs (2020–2024).”


Awards and Exhibitions:

Art quilts by Dan Olfe have won several awards in exhibitions at the Visions Museum of Textile Art in San Diego, including the Miriam Machell Award for Beauty at Interpretations 2019, the Jill Le Croissette Memorial Award at Quilt Visions 2018, the New Directions Award at Interpretations 2017, and the Surface Design Award at Quilt Visions 2008.

In addition, Olfe’s quilts and fiber artworks have appeared in major national juried exhibitions, including:

More on the Web: By, About, and Beyond

Dan Olfe’s website with image galleries and contact info

Spotlight: Dan Olfe, Quilt Artist, an interview in Create Whimsy (January 2024), with details about the artist’s process and materials

Artists to Watch: Dan Olfe (Julian, California) in Issue 7 of Art Quilt Collector (5 May 2020), published by SAQA (Studio Art Quilt Associates)

man-made at CAFAM, photo-essay by Patricia Belyea in okan arts (30 April 2015), in response to the Man-Made exhibition by eight contemporary male quilters at the Craft & Folk Art Museum in Los Angeles

 
 
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