Issue 26: | 1 Jan. 2025 |
Poem: | 131 words |
After the bombs fell, vestiges remained for a long while, but there was no one to collect them, no children to listen to old tales about the world before; no adults to tell them. Not even rats to gnaw these dresses to white shreds. They might as well be stone, marble-white as statues in the ruins of Pompei or Rome. But the sun still goes on rising, light still keeps pouring through the narrow window, gilding the gowns’ rich taffeta and silk, embroidered trains. The veils’ white froth flows like surf across the floor, holding shards of brittle moonlight in its folds. How long has it been since bombs rained down, leaving property intact but destroying every living thing? Time stopped when the last eye ceased to perceive it.
—Inspired by the photograph below
is a retired college educator and the author of four books of poetry. She has also edited three anthologies of ekphrastic poetry and hosts two monthly Zoom series. Her poetry has appeared in many journals and anthologies, most recently MacQueen’s Quinterly; ONE ART: a journal of poetry; Storyteller Poetry Review; Verse-Virtual; and Whale Road Review.
Learn more at: https://www.robbinester.net
⚡ Three Poems in Verse-Virtual (November 2024)
⚡ Dancing White Egret, ekphrastic poem by Robbi Nester after a photograph by Philippe Rouyer, in MacQueen’s Quinterly (Issue 14, August 2022)
⚡ Naughty Bits, poem in MacQueen’s Quinterly (Issue 11, January 2022); nominated by MacQ for Best of the Net 2023.
⚡ After Blossom, ekphrastic poem after an etching by Phil Greenwood in MacQueen’s Quinterly (Issue 3, May 2020); nominated by MacQ for Best of the Net 2020, and selected as a Poetry Finalist.
⚡ In Memory, five poems by Robbi Nester in Live Encounters (August 2021)
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