Issue 23: | 28 April 2024 |
Poem: | 79 words |
+ Visual Art: | Photograph |
Almost too perfect, this cone rises abruptly out of Salar de Arizaro, as if ancient aliens descended from the Heavens, left it as a sentinel. No condors soaring today. Storms on the alpine salt flat have driven them all away. This dusty rainbow offers promises of minerals, strange metals, hiding in salts too bitter to spice our food: rare earth, essential to make all our modern devices, build autonomous weapons.
—After the photograph by Ignacio Palacios
is a freelance travel and nature photographer from Spain who has had the privilege of travelling around the world since 1998 collecting an extensive and hopefully strong set of images of people, places, wildlife, and landscapes across more than ninety countries in all continents. He has received more than one hundred photography awards.
Artist’s website: https://iptravelphotography.com.au
is a Contributing Editor of MacQueen’s Quinterly. His poetry and haiga have appeared, or are forthcoming, in various literary reviews and anthologies, including Chaos Dive Reunion (Mutabilis Press, 2023); contemporary haibun (Volume 17, Red Moon Press, 2022); Concho River Review, Sulphur River, Texas Poetry Calendar; The Ekphrastic Review; and Visions International.
Two of his ekphrastic poems appear in Silent Waters, photographs by George Digalakis (Athens, 2017). He is the author of two chapbooks, Standing Inside the Web (Bear House Publishing, 1990) and Fire and Shadows (Legal Studies Forum, 2008). His poems “Black Dogs” and “Viewing the Dead” were nominated for Pushcart Prizes.
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