Issue 22: | 4 Feb. 2024 |
Poem: | 187 words |
She’s wearing a dream. Let’s call her Arlette. A pink rose coiffes her cleavage, waist, hair. Monsieur sits next to her, though a penumbra of the artist’s brush. He’s viewing his milieu, opera glasses snug to eyes. Paris views Arlette. Once, Mother lay in bed gazing at the Renoir pair: starched shirt, white gloves, waistcoat, mustache, goatee. They called Arlette’s over-gown à la polonaise, fabric looped like drapery over petticoats— layer upon layer. Like paint. Like Mother’s bedroom for over forty years, once my bedroom, her dressers once filled with my clothes, then hers, now mine. Her linens in my closets, opera glasses in their stiff brown leather case in the same drawer where she kept them. La Loge hangs on a wall in my house where I can gaze at the couple from my bed like Mother did. What did she think of Arlette—the way her brown curls flirt toward her eyes? Her face lustrous pale and smoothed with rice powder, as Mother’s—puffed with Estée Lauder. The baton rises, the overture is about to begin. Arlette whispers, “Sweet dreams.” Mother has already gone.
La Loge (The Theatre Box) (oil on canvas, 1874) by French Impressionist painter Pierre-Auguste Renoir (1841-1919) is held by Courtauld Institute of Art in the collection at The Courtauld Gallery in London, UK. Image above was downloaded from Wikimedia.
For details about the painting, see “Renoir at the Theatre: Looking at La Loge” (link retrieved on 11 January 2024):
https://courtauld.ac.uk/gallery/exhibitions/renoir-at-the-theatre-looking-at-la-loge/
is the author of Museum of Rearranged Objects (Kelsay Books, 2018), as well as six chapbooks, including Now, Somehow (Finishing Line Press, 2022), poems about confronting a pandemic, cancer, and other health-related urgencies. Her poetry has appeared widely in journals and anthologies and has been featured on BBC Radio 3. She taught French and English for many years in Southern California as well as in Algiers, Algeria.
Author’s website: https://www.sharingtabouli.com/
Copyright © 2019-2024 by MacQueen’s Quinterly and by those whose works appear here. | |
Logo and website designed and built by Clare MacQueen; copyrighted © 2019-2024. | |
Data collection, storage, assimilation, or interpretation of this publication, in whole or in part, for the purpose of AI training are expressly forbidden, no exceptions. |
At MacQ, we take your privacy seriously. We do not collect, sell, rent, or exchange your name and email address, or any other information about you, to third parties for marketing purposes. When you contact us, we will use your name and email address only in order to respond to your questions, comments, etc.