Wherever we travel, at some point I tell my wife, “I could live here.” She always knows what I mean no matter what I mean. For example, if I were in Vienna, it would be an endorsement. If I were in Ulaanbaatar, it would signify resignation. Of course I could live in Ulaanbaatar. At least 1,645,000 other people find it habitable despite the weather, the concrete-block architecture, and the air pollution. If there were marital discord, it might mean: I’m going to stay here awhile in Ouagadougou and catch you up in Montevideo. To be honest, I could live anywhere, even in places I can’t pronounce.

Bob Lucky

is a regular contributor to haiku, haibun, and tanka journals. His fiction, nonfiction, and poetry have appeared or are forthcoming in Flash, Rattle, Modern Haiku, KYSO Flash, MacQueen’s Quinterly, SurVision, Haibun Today, The Haibun Journal, and Contemporary Haibun Online (the latter for which he served as content editor from July 2014 thru January 2020).

His chapbook of haibun, tanka prose, and prose poems, Ethiopian Time (Red Bird Chapbooks, 2014), was an honorable mention in the Touchstone Book Awards. His chapbook Conversation Starters in a Language No One Speaks (SurVision Books, 2018) was a winner of the James Tate Poetry Prize in 2018. He is also the author most recently of a collection of prose poems, haibun, and senryu, My Thology: Not Always True But Always Truth (Cyberwit, 2019); and an e-chapbook, What I Say to You (proletaria.org, 2020).

More on the Web: By, About, and Beyond

⚡ Scribble Away: Notes from Bahrain, March 2022, haibun sequence by Bob Lucky which was shortlisted for the inaugural Touchstone Award for Individual Haibun

⚡ A Posthumous Lesson From My Mother and The Party, two haibun by Bob Lucky which were nominated by MacQ for the Red Moon Anthologies, and selected for publication in Contemporary Haibun 17 (Red Moon Press, 2022).

⚡ Featured Poet: Bob Lucky in Issue 10 of MacQ