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Issue 19: | 15 Aug. 2023 |
Poem: | 91 words |
Wondering whether to be a great artist you must sacrifice an ear or go mad with absinthe be deaf as a doorknob for a fine string quartet or, to be venerated write poetry no-one understands murder your friends or lead the dissolute life of which accountants can only dream. But then there is Yeats in a neatly-pressed suit and Frost, short-haired with a tie to boot and time was everyone dressed like Shakespeare normal in other respects only when somebody dies is found, in their effects, an astonishing collection of matchboxes.
is a retired British diplomat who lives in the UK. His scientific papers are published in Nature and elsewhere; his long-form poetry in The Oxford Magazine and Linnet’s Wings; his cherita in The Cherita; and his haiku and related short forms in Blithe Spirit, Cattails, Cold Moon Journal, Failed Haiku, Heliosparrow, Mambu, Presence, Prune Juice, The Asahi Shimbun, Wales Haiku Journal, World Haiku Review, and at The Haiku Foundation. His work has been anthologized in the Red Moon Anthologies of haiku and haibun, and has been nominated for the Pushcart Prize and Touchstone Awards.
Evetts is listed among the European Top 100 Haiku Authors in 2021, and hosts the weekly haiku commentary feature at The Haiku Foundation. He’s married, with five children, a grey parrot, and a sense of humour.
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