Issue 18: | 29 Apr. 2023 |
Cherita Terbalik: | 34 words |
Visual Art: | Painting |
Words your mother spoke struggle to find a clear path, clatter in your head. But walls and bars cannot hide colors dancing out of reach, just beyond this labyrinth.
—After the painting by Octavio Quintanilla
is the author of the poetry collection If I Go Missing (Slough Press, 2014), founder and director of the literature and arts festival VersoFrontera, founder of Alabrava Press, and former Poet Laureate of San Antonio, Texas (2018-2020). He holds a Ph.D. from the University of North Texas and teaches Literature and Creative Writing at Our Lady of the Lake University in San Antonio.
His poetry, fiction, translations, and photography have appeared, or are forthcoming, in journals such as Alaska Quarterly Review; Existere: A Journal of Art & Literature; Green Mountains Review; Pilgrimage; RHINO; Salamander; Southwestern American Literature; The Texas Observer; and elsewhere.
Quintanilla’s Frontextos (visual poems) have been published in About Place Journal; Chachalaca Review; Chair Poetry Evenings; Gold Wake Live; the Langdon Review of the Arts in Texas; Newfound; Poetry Northwest; Red Wedge; Tapestry; The American Journal of Poetry; The Museum of Americana; The Windward Review; and Twisted Vine Literary Arts Journal.
His visual artworks have been exhibited in a number of spaces, including Emma S. Barrientos Mexican American Cultural Center/Black Box Theater (Austin), El Centro Cultural Hispano de San Marcos, Our Lady of the Lake University, Presa House Gallery, Aanna Reyes Gallery (San Antonio), Southwest School of Art, The Weslaco Museum, The Walkers’ Gallery (San Marcos), and UTRGV-Brownsville (University of Texas Rio Grande Valley).
Artist’s website: https://www.octavioquintanilla.com/
Instagram: https://www.instagram.com/writeroctavioquintanilla/
⚡ January Poetry Curator Octavio Quintanilla: Procrastination is Part of the Process of Creativity, In the Green Room: Zócala Public Square (6 January 2023)
⚡ Three Poems by Octavio Quintanilla (“Sonnet for Human Smugglers”; “Love Song With Exiles”; and “Matanza del Marrano”) in Poem of the Week (28 February 2023)
⚡ FRONTEXTOS: Text/Image/Resistance—Mixed Media by Octavio Quintanilla (Numbers 259, 290, 289, 243, 248, and 268), in The Museum of Americana (Issue 16, Fall 2018)
poetry and haiga have appeared, or are forthcoming, in various literary and poetry magazines such as Concho River Review, Eastern Structures, Failed Haiku, Harbinger Asylum, KYSO Flash, MacQueen’s Quinterly, Poetry24, The Legal Studies Forum, The Lift, The Wild Word, and Visions International; as well as in several anthologies, including contemporary haibun (Volume 17, Red Moon Press, 2022), Faery Footprints (Fae Corp Publishing), Lifting the Sky: Southwestern Haiku & Haiga (Dos Gatos Press), Texas Poetry Calendar (Kallisto Gaia Press), Untameable City: Poems on the Nature of Houston (Mutabilis Press), and elsewhere.
His poems “Black Dogs” and “Viewing the Dead” were nominated for the Pushcart Prize. Two of his poems appear in Silent Waters, photographs by George Digalakis (Athens, 2017). He is the author of two chapbooks, Standing Inside the Web (Bear House Publishing, 1990) and Fire and Shadows (Legal Studies Forum, 2008) (offprint).
Selections of Gary’s poetry and photography can be found at his website, 4P Creations: http://4pcreations.com
⚡ Out of the Haze, collaborative haiga with photograph by George Digalakis and poem by Gary S. Rosin in MacQueen’s Quinterly (Issue 8, June 2021); nominated for, and selected for publication in, Contemporary Haibun 17 (Red Moon Press, 2022)
⚡ Featured Poet: Gary S. Rosin in MacQueen’s Quinterly (Issue 7, March 2021)
⚡ Crossing Kansas in The Wild Word (7 February 2020); includes audio of Rosin reading his poem
⚡ Two Readings: “Apparition” and “Black Dogs” by Gary S. Rosin for Texas Poetry Calendar 2015 at the Blue Willow Bookshop in Houston, Texas (20 September 2014).
See also Black Dogs here in MacQ (Issue 12, March 2022), which was nominated in October 2022 by MacQ for the 48th annual Pushcart Prize (2024 edition).
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