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| Issue 16: | 1 Jan. 2023 |
| Visual Art: | Asemic |
By Stephen Nelson
Four Asemic Artworks
The only words left after midnight
Copyrighted © by Stephen Nelson. All rights reserved.
Reproduced here with artist’s permission from
Facebook (posted 17 October 2019).
Postcards from a Scottish bench
Copyrighted © by Stephen Nelson. All rights reserved.
Reproduced here with artist’s permission from
Instagram (posted 8 May 2021).
Rimbaud in Africa (with asemic treatment)
Copyrighted © by Stephen Nelson. All rights reserved.
Reproduced here with artist’s permission from
Facebook (posted 2 June 2021).
Thinking about Baudelaire
Copyrighted © by Stephen Nelson. All rights reserved.
Reproduced here with artist’s permission from
Facebook (posted 20 April 2021).
Stephen Nelson
is a Scottish writer and visual poet. He has exhibited visual poetry and published prose and poetry internationally for a number of years. His last book was a Xerolage of visual poems called Arcturian Punctuation (Xexoxial Editions), and a new collection is due out from Red Fox Press (C’est Mon Dada series) called Toys for Telepaths. He lives by a burn in Central Scotland with a cat named Amma, drinks Brazilian coffee, and enjoys listening to the deep, resonant tones of the rudra veena.
See more of his asemic writing and art on Instagram:
https://www.instagram.com/afterlights70/
More on the Web: By, About, and Beyond
⚡ “Algeria” (from Colonial Mud), prose poem/microfiction by Stephen Nelson in International Times: The Magazine of Resistance (3 December 2022)
⚡ “Five Very Brief Texts” (from Colonial Mud), microfiction in The Fortnightly Review (October 2022)
⚡ Oh! Pee Queue..., concrete poem by Stephen Nelson at Facebook (26 April 2022)
⚡ soulfflé, one-word concrete poem at Instagram (18 July 2017)
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