Issue 14: | August 2022 |
Poem, Duplex: | 161 words |
I play the ocean through my laptop to sleep. Or does it play me? Trimmed lawns roll, break, withdraw— illusion of breakers, jade-green with envy of how waves speak. Grass blades stand, mute clarinet reeds, waiting for a breeze to make them vibrate, attempt to match the surf with a single tone which fails to seduce the ear in rise and fall. Verdant as grass with its jealousy, I’m root- and virus-bound, the yard too small as waves leave, endless and undulant. A tide that’s a sigh, a long breath toward which my mind bears down in search of calm, a wish to move without danger, for which the sound of rollers is a beacon. I play the ocean through my laptop to sleep.
* Poet’s Note:
Title is from the poem “Someone You Have Seen Before” by John Ashbery, in his collection April Galleons (The Viking Press, 1987).
is a Los Angeles-based writer and photographer with an MFA from California State University, Long Beach. His work has appeared in San Pedro Poetry Review, Synkroniciti, West Texas Literary Review, Gleam: Journal of the Cadralor, MacQueen’s Quinterly, and other publications. His second poetry chapbook, Beneath a Glazed Shimmer, won the 2019 Clockwise Chapbook Prize and was published in February 2021 by Tebor Bach.
⚡ Le Grand Matin by Jonathan Yungkans, a Finalist in MacQ’s Triple-Q Writing Challenge (Issue 11, January 2022)
⚡ La Porte by Yungkans in MacQ’s special Christmas Eve issue (10X, December 2021)
⚡ Two Duplex Poems, plus author’s notes on the poems and on the form, by Yungkans in Issue 10 of MacQ (October 2021)
⚡ Lawful and Proper, poem in Rise Up Review (Fall 2020)
⚡ Cadralor in the Key of F-Sharp as It Cuts into My Spine, in the inaugural issue of Gleam (Fall 2020)
⚡ I’d Love to Cook Like Hannibal Lecter [video], read by the poet at an event sponsored by Moon Tide Press (10 October 2019) celebrating the anthology Dark Ink: A Poetry Anthology Inspired by Horror
⚡ Saving the Patient, poem in The Voices Project (18 January 2018)
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