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Issue 14: | August 2022 |
Prose Poem: | 146 words |
I open the little gold door of my mailbox to retrieve my L.L. Bean catalog and pizza coupons to find ants and earwigs streaming out, escaping the flames and screams which echo upward from deep underground. I slam it shut immediately, but puffs of sulfurous smoke leak out and linger around it. One too many primary flyers for the Republicans, I figure. Still, I like Stan who delivers my mail, so I put up a second box and move the portal to hell to a fencepost in my backyard overlooking the field. Even the murder hornets avoid it. I can’t bring myself to peek in again, although I’d like to know exactly who’s arrived down there and who else might be on the way. For the time being, the mailbox simply glowers, red-hot, silhouetted in twilight against the tawny field of wheat.
is the author of four books of prose poems and three chapbooks, most recently Instructions for My Imposter (Press 53) and Nineteen Letters (BatCat Press). She is also the author of Heart in a Jar (White Pine Press, 2017), Stay (Press 53, 2015), October Again (Burnside Review Press, 2012), and Whatever Shines (White Pine Press, 2001). In 2011, Parlor Press published We’ll See, a book of her translations of contemporary French poet Georges Godeau’s prose poems.
Her poems, prose poems, and translations have appeared in more than 50 literary venues, including among others: Boston Review, Copper Nickel, Crazyhorse, December, Denver Quarterly, Epoch, Field, Glassworks, Indiana Review, Miramar, Ploughshares, Prairie Schooner, Quiddity, Quarterly West, Rhino, Seneca Review, Sweet, The Antioch Review, The Laurel Review, West Branch, and Willow Springs—and in these anthologies published by White Pine Press: Nothing to Declare: A Guide to the Flash Sequence (2016), The Best of the Prose Poem: An International Journal (2000), The House of Your Dream: An International Collection of Prose Poetry (2008), and The Party Train: A Collection of North American Prose Poetry (1996).
Ms. McGookey has received grants from the Irving S. Gilmore Foundation, the Arts Fund of Kalamazoo County, the Sustainable Arts Foundation (2014), and the French Ministry of Foreign Affairs. She has taught creative writing at Hope College, Interlochen Arts Academy, and Western Michigan University.
⚡ “I Couldn’t Look Away”: A Conversation with Kathleen McGookey by David Nilsen in On the Seawall (22 September 2020)
⚡ Sandra Arnold Interviews Kathleen McGookey in New Flash Fiction Review (ca. 2018), about her work in the W. W. Norton anthology New Micro (2018)
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