Issue 13: | May 2022 |
Poem: | 98 words |
Three figures huddle in the frame, one, with a needle, delves for the “headache stone,” said to be buried in the soft folds of the brain. Another holds a candle, shedding both light and shadow. The patient clenches his fists against the pain. The one who bears the flame has been a recent patient. A linen bandage binds his hair, stiff, straw- yellow as the bristles of a broom. He and the others take their turns at playing surgeon. Each bears a pocketful of bloody pebbles to show patients the product of their search.
—From the poet’s book manuscript Picture This, which is available for publication.
Publisher’s Notes:
1. Details about the painting above are available at The Leiden Collection, owned by New York financier Thomas Kaplan
and his wife, Daphne. Several paintings by Rembrandt are discussed, including two others
that also reside in this collection, Unconscious Patient (Allegory of Smell)
and Three Musicians (Allegory of Hearing).
2. To learn more about Rembrandt’s Senses series, the earliest known
works by the artist, see the article “Rembrandt’s Senses, Expanded”
(Scientific examination of a recently rediscovered Rembrandt reveals
how—and why—it was altered 300 years ago) by Dominique Surh in
The Iris (24 May 2016), the blog of the J. Paul Getty Trust in Los Angeles
(link retrieved on 16 May 2022):
https://blogs.getty.edu/iris/rembrandts-senses-expanded/
is the author of four books of poetry, including an ekphrastic chapbook, Balance (White Violet, 2012), and three collections: Narrow Bridge (Main Street Rag, 2019), Other-Wise (Kelsay, 2017), and A Likely Story (Moon Tide, 2014). She has also edited three anthologies: The Liberal Media Made Me Do It! (Nine Toes, 2014); Over the Moon: Birds, Beasts, and Trees, which was published as a special issue of Poemeleon Journal; and The Plague Papers, recently published online at Poemeleon Journal.
Her poems, reviews, essays, and articles have appeared widely in journals and anthologies, including Aeolian Harp VI, Book of Matches, Cultural Daily, Gargoyle, Live Encounters, Muddy River Review, North of Oxford, Rhino, Tampa Review, Tiferet, Verdad, and Verse-Virtual. She is an elected member of the Academy of American Poets.
Author’s website: www.robbinester.net
⚡ After Blossom, ekphrastic poem after an etching by Phil Greenwood in MacQueen’s Quinterly (Issue 3, May 2020)
⚡ Three Poems by Robbi Nester in Verse-Virtual (January 2020)
⚡ Law of Attraction, ekphrastic poem after Van Gogh’s Starry Night Over the Rhone, in Verse-Virtual (May 2019)
⚡ Night Tunnel, ekphrastic poem after a painting by Robert Rhodes, Philadelphia Night Train, in The Ekphrastic Review (21 April 2016)
⚡ The Locusts, ekphrastic poem after a collage of the same name by Mary Boxley Bullington, in The Ekphrastic Review (13 October 2015)
Copyright © 2019-2024 by MacQueen’s Quinterly and by those whose works appear here. | |
Logo and website designed and built by Clare MacQueen; copyrighted © 2019-2024. | |
Data collection, storage, assimilation, or interpretation of this publication, in whole or in part, for the purpose of AI training are expressly forbidden, no exceptions. |
At MacQ, we take your privacy seriously. We do not collect, sell, rent, or exchange your name and email address, or any other information about you, to third parties for marketing purposes. When you contact us, we will use your name and email address only in order to respond to your questions, comments, etc.