Issue 13: | May 2022 |
Poem: | 98 words |
After Rembrandt’s Three Musicians
A family sings together at the hearth, the father beating time with one hand on the pages of an open book. It’s an old song, one they’ve sung so many times before that both parents keep their eyes shut tight, while the young man looks askance, surprised to hear a deep voice, clear as water, rising from his lips. The music crests. At once, the river breaks its banks, drowning fields of uncut wheat. He will follow that voice up a thousand flights and down, till the end of the song.
—From the poet’s book manuscript Picture This, which is available for publication.
*Publisher’s Notes:
1. Details about the painting above are available at The Leiden Collection, owned by New York financier Thomas Kaplan
and his wife, Daphne. Several paintings by Rembrandt are discussed, including two others
that also reside in this collection, Stone Operation (Allegory of Touch) and
Unconscious Patient (Allegory of Smell).
2. To learn more about Rembrandt’s Senses series, the earliest known
works by the artist, see the article “Rembrandt’s Senses, Expanded
(Scientific examination of a recently rediscovered Rembrandt reveals
how—and why—it was altered 300 years ago)” by Dominique Surh in
The Iris (24 May 2016), the blog of the J. Paul Getty Trust in Los Angeles
(link retrieved on 16 May 2022):
https://blogs.getty.edu/iris/rembrandts-senses-expanded/
is the author of four books of poetry, including an ekphrastic chapbook, Balance (White Violet, 2012), and three collections: Narrow Bridge (Main Street Rag, 2019), Other-Wise (Kelsay, 2017), and A Likely Story (Moon Tide, 2014). She has also edited three anthologies: The Liberal Media Made Me Do It! (Nine Toes, 2014); Over the Moon: Birds, Beasts, and Trees, which was published as a special issue of Poemeleon Journal; and The Plague Papers, recently published online at Poemeleon Journal.
Her poems, reviews, essays, and articles have appeared widely in journals and anthologies, including Aeolian Harp VI, Book of Matches, Cultural Daily, Gargoyle, Live Encounters, Muddy River Review, North of Oxford, Rhino, Tampa Review, Tiferet, Verdad, and Verse-Virtual. She is an elected member of the Academy of American Poets.
Author’s website: www.robbinester.net
⚡ After Blossom, ekphrastic poem after an etching by Phil Greenwood in MacQueen’s Quinterly (Issue 3, May 2020)
⚡ Three Poems by Robbi Nester in Verse-Virtual (January 2020)
⚡ Law of Attraction, ekphrastic poem after Van Gogh’s Starry Night Over the Rhone, in Verse-Virtual (May 2019)
⚡ Night Tunnel, ekphrastic poem after a painting by Robert Rhodes, Philadelphia Night Train, in The Ekphrastic Review (21 April 2016)
⚡ The Locusts, ekphrastic poem after a collage of the same name by Mary Boxley Bullington, in The Ekphrastic Review (13 October 2015)
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