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Please do not copy images and/or image URLs from this website without written permission from the copyright holders. Unless otherwise noted, all works in MacQueen’s Quinterly are copyrighted by their respective artists and authors. Thank you for respecting copyrights.
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Cynthia Anderson |
Animals [poem], after the painting by Rufino Tamayo |
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Cow Swatting Flies [R] [poem + poet’s note], after the painting by Rufino Tamayo |
Mikki Aronoff |
Fugue, 1956-1959 [microfiction], after an untitled vintage photograph |
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Ready or Not [prose poem], after a painting by Pavel Tchelitchew |
Cassandra Atherton and Paul Hetherington |
Cabaret (1972 film) [sequence of five prose poems + poets’ commentary], after the musical directed by Bob Fosse |
Roy J. Beckemeyer |
Insurrection [prose poem + poet’s commentary], after a painting by Vincent van Gogh |
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Letters From Vincent [poem + poet’s commentary], after a painting by Vincent van Gogh |
David Belcher |
The Cohort [microfiction], after a painting by Leah Saulnier |
John Brantingham |
Little Dancer, Aged 75, Paris 1940 [microfiction], after sculpture by Degas |
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Mary Before Degas’s Dancers in the Rotunda at the Paris Opera [microfiction], after the painting |
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Paul Klee’s Introducing the Miracle [poem] |
Lynn Czaban |
Four Portrait Quilts [textile arts]: |
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Vermeer Meets Fassett [R], after a painting by Johannes Vermeer |
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Untitled [R], after a vintage photo |
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Da Vinci Smiles [R], after a painting by Leonardo da Vinci |
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Mr. Van Gogh, Meet Kaffee Fassett [R], after a self-portrait by Van Gogh |
Cherie Hunter Day |
Currency Exchange [prose poem], after a photograph by John Levy |
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Once Upon a Time in Storyville [microfiction], after a photograph by E. J. Bellocq |
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Radio Silence [prose poem], after instrumental music by Yo La Tengo |
Robert L. Dean, Jr. |
Finding the Door: One Writer’s Approach to Ekphrasis [craft essay] |
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Home is the Sailor [poem], after a painting by Edward Hopper |
Keith Evetts |
Jacob’s Ladder [cheribun] |
Karen George |
Emily Carr’s The Great Eagle, Skidegate, B. C., 1929 [poem] |
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Solstice Blue Hour [prose poem], after a painting by Maximilian Lenz |
Lori Howe |
Help Yourself [poem], after an art installation by Sun Yuan and Peng Yu |
Bob Lucky |
The Light Becomes Us [prose poem], after a painting by Robert Ryman |
Lorette C. Luzajic |
Christmas in July [microfiction], after a painting by Keith Haring |
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Midnight Train [prose poem], after a painting by Alex Colville |
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The Psychic [prose poem], after Salvador Dalí |
Robbi Nester |
Five Poems after Rembrandt’s Series of Senses
Paintings: |
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Listen, after Three Musicians |
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Scent of Mortality, after Unconscious Patient |
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On Rembrandt’s Stone Operation |
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The Witness, after A Pedlar Selling Spectacles |
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The Missing Sense, after a lost painting |
Robbi Nester |
Van Gogh’s Ear [R] |
Gary S. Rosin |
A Chinese Court [R] [poem], after the painting by David Chorlton |
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Inside Looking Out [poem], after a painting by Vincent van Gogh |
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The Faces of History [R] [poem + poet’s note], after Salvador Dali |
Gary S. Rosin and David Chorlton |
Talking Back to Art [R] [a poetic dialogue]: |
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“In Line for the Future,” after the painting by David Chorlton |
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“Artist’s Statement” by David Chorlton, after Rosin’s poem above |
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“Talking Back to Art,” after Chorlton’s poem above |
Jason Ryberg |
Still Holding [poem], after paintings by Andrew Wyeth |
Charmaine Smith |
Dynamic Hieroglyphic of the Bal Tabarin (1912) [cheribun + poet’s commentary], after the painting by Gino Severini |
Olivia Wolford |
Caelifera [prose poem], after a lost painting by Otis Dozier |
Jonathan Yungkans |
Hence It Ends Up With a Scenario of Them All Getting Paid [poem], after a painting by René Magritte |
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Note: An “[R]” after a title above indicates republished work (aka reprint).
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Note: If you’re interested in submitting ekphrastic works to MacQueen’s Quinterly, wonderful! We hope you’ll take a few minutes to read Ephective Ekphrastics: A Guide for Verbalizing Art, tips by Jack Cooper and Clare MacQueen in KYSO Flash which include additional examples of what Clare’s looking to publish here in MacQ as well. See also the excellent recommendations from Robert L. Dean, Jr. in his essay on craft: Finding the Door: One Writer’s Approach to Ekphrasis (MacQ-13, May 2022). |
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Please do not copy images and/or image URLs from this website without written permission from the copyright holders. Unless otherwise noted, all works in MacQueen’s Quinterly are copyrighted by their respective artists and authors. Thank you for respecting copyrights.
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Section 1 of 2: |
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Robert L. Dean, Jr. & Skyler Lovelace |
Piatt Street, 1965 [R] [photo-poem] |
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Note: An “[R]” after a title above indicates republished work
(aka reprint).
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Section 2 of 2: |
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E. J. Bellocq |
See entry for Cherie Hunter Day under
Featured Form: Ekphrasis above. |
Emily Carr |
See entry for Karen George under
Featured Form: Ekphrasis above. |
Lynn Czaban |
See Featured Form: Ekphrasis
above. |
David Chorlton |
See entry for Gary S. Rosin (A Chinese Court) under
Featured Form: Ekphrasis above. |
Edgar Degas |
See entries for John Brantingham under
Featured Form: Ekphrasis above. |
Otis Dozier |
See entry for Olivia Wolford under
Featured Form: Ekphrasis above. |
Maximilian Lenz |
See entry for Karen George under
Featured Form: Ekphrasis above. |
John Levy |
See entry for Cherie Hunter Day under
Featured Form: Ekphrasis above. |
Skyler Lovelace |
See entry for Robert L. Dean, Jr. above in Visual Arts
(Section 1). |
Kala Ramesh |
See Haiga & Hybrids above. |
Rembrandt |
See entries for Robbi Nester under
Featured Form: Ekphrasis above. |
Leah Saulnier |
See entry for David Belcher under
Featured Form: Ekphrasis above. |
Vincent van Gogh |
See entries for Roy J. Beckemeyer and Gary S. Rosin under
Featured Form: Ekphrasis above. |
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Note: The “[R]” after titles in the Table of Contents indicates
republished works (aka reprints).
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